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This is a very hard film to like, so I just decided to hate it instead. ; EXORCISMUS (2010) is a standard Filmax Production from producer Julio Fernández and director Manuel Carballo , THE RETURNED , that is just another exorcism tale but with a small twist. Let’s hope that John Carpenter decides to do a better film the next time; WRONG SIDE OF TOWN (2010) is director/writer/producer David DeFalco’s , CHAOS , idea of an action film and it is pretty terrible. The screenplay, by brothers Michael & Shawn Rasmussen, is full of contrivances and cliches and the biggest mystery of all is why the hell Carpenter would even touch this material. He has also appeared with Kilmer in the films STREETS OF BLOOD (2009) and BLOOD OUT (2011); THE WARD (2010) is the worst film of director John Carpenter’s career and for many reasons. It’s a standard revenge tale (where Jackson plays a take-no-prisoners gun runner who kills Val Kilmer’s wife), who is caught in the middle of a shootout between two rival gangs, one headed by Jackson. It actually ruins the film that preceeded it; GREY SKIES (2010) is a standard alien abduction film set at a house in the woods.
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- While this film has very little blood or gore (there is still an « ick » factor to some of the scenes), such as the black stain on the ceiling pouring gooey black liquid into Rachel’s mouth while the hag forces her mouth open and various quick clips of people dying when Rachel speaks.
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- Like all of Jeff Nicols’ films, the pace is deliberately slow but rewards viewers with unexpected surprises.
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This starts out as a very remarkable film, but by the time the third story comes around, you’ll be looking for the film to end quickly and quietly, which it doesn’t. The killings don’t start until the final third of the movie , which is full of black & white flashbacks, and those expecting tons of gore should be told that it is Rated PG-13 and is part of Adam Sandler’s new company « Scary Madison »; THE SEAMSTRESS (2009) is standard DTV horror about a spectre who sews the eyes and mouth of her victims shut after she was killed by a bunch of vigilantes twenty years earlier. Yes — this is another boring and overlong found footage flick that runs 107 minutes (a loooong 107 minutes) and doesn’t offer the viewer anything in the way of entertainment.
From the opening shot, we see that Annie has a condition called complete heterochromia iridum, or « different colored iris », whose cause is unknown, with many experts believing it might result from a lack of genetic diversity. From the start — we know that Nicole & Annie’s mother was a formidable woman, a « bitch » with a capital « C ». HIGHLY RECOMMENDED: THE DIVIDE (2011), one of the better modern-day post-apocalyptic thrillers from director Xavier Gens (FRONTIER(S)); A LONELY PLACE TO DIE (2011), a tense thriller about mountain climbers finding a buried girl and evading her kidnappers.
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While there is a fair amount of gory deaths , and people with huge pointy teeth,, the final twenty minutes, which takes place in a cave, contains some of the dodgiest CGI I have seen since a SyFy Original Film. Rather than saying any more, I’ll end it by saying modern-day Italian horror films are more miss than hit and this one misses by a New York mile. Once arriving at the Atlas Mountains, Paul (Robert Capelli Jr.), who has a thing for Clarissa, leads the way as they walk tp a camping site, but he gets everyone hopelessly lost and there is no cellphone service (an overused trope in modern day horror flicks). ; SINNER , a.k.a. NIGHT OF THE SINNER , is an extremely weak modern-day Italian Gothic horror film starring Robert Englund. Don’t get me wrong, I like good martial arts fights, but this has nothing of a story to back it up and the basketball angle is just ridiculous; THE LAST RESORT (2009) is a thankfully short , 75 minutes,, yet boring, tale about a group of lovely young things that get trapped at a deserted resort in Mexico, where possession by a demented cannibal is passed on from person-to-person when the possessed one dies.
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